Hiding in the woods.

Hiding in the woods.

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.

    Look AT me

    Look AT me

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.

    Underground Industry

    Underground Industry

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.

    Bird invasion

    Bird invasion

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.

    Dead zone

    Dead zone

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.

    On my own

    On my own

  • Martin Salzmann-Erikson
  • PEOPLE
  • HABITAT
  • LANDSCAPE
  • INDUSTRY
  • ENTERTAINMENT
  • THE SWEDISH DREAM

  • I was born in 1977 in Västerås, Västmanland. In profession, I am a specialist nurse in psychiatric care and also a PhD-candidate in caring science studying caring in intensive psychiatry. I like people, life and relationships and find the combination of these very interesting which also reflects in my photography. I try to catch a naturalistic perspective in peoples everyday life and their interactions with the others, both as a researcher and as a photographer. As an antagonist from this perspective I also like shooting miserable environments.